The compositionis presentedin two versions. The main version is on the cover. The centrefold is assigned to additional version. The collage can be viewed as a whole and separately. This underscoresthe idea of the main event of 2016. This event is called «The collapse of Babylon the Great».

On the right-hand side is represented the structure of the system of God-man. The pyramid represents the Project of God, how should be the human world according to the plans of Creator. In fact, it is a structure of Kingdom of Heaven. And Merkel plays here the role ofthe bride of Christ.

She must get married to the Sun. The Sun, with fullclock face,represents Christ the Savior here and the beginning of the period of awakening and preaching:

«The spirit of the Lord is on me, for he has anointed me to bring the good news to the afflicted. He has sent me to proclaim liberty to captives, sight to the blind, to let the oppressed go free, to proclaim a year of favour from the Lord» (Luke 4:18-19). These wordsrefer specificallyto our days.

The money, parachuted from Heaven, represents the divine grace. The Rothschilds predict the beginning of the resurrection of Holy Russia for this year. God will open Heaven and the power of God’s Holiness and Divine Wisdom will pour out on the orthodox people, on the Orthodox Church.

The butterfly, next to the very happy sun, is a classical symbol of Resurrection. The characters, in that direction, play all roles of different processes which take place in our Russian Orthodox Church.

Nevertheless, in order to avoid the confusion in our heads with all these details, let’s examine the global principles ofentire composition. As we have already said, it is dedicated to the arrival of the epoch of the sixth-seventh day, described in Daniel's prophecies.

Four visions, revealed to Daniel by God, reflect the structure of Dogma of the Holy Trinity. At the heart of the construction of future events is used the basic principle of separation on form and content, emanating from the essence of divine being. We spoke about it in the last video «The History of God the Father».

So, the cover is entirely constructed on the same principle. And all composition is subdivided into form and content. Here is used the system of the symbolism at several levels similar to the system which is at the heartof a real structure ofcreated being. And, depending on the angle, we have different semantic pictures.

When viewedas a whole, the large version of composition, the centrefold, its left side represents a form of Creation and the right-hand side — its content. The left side is like the stage of the theatre with the actors, the right-hand side — the scenario of show. Here is represented the epoch of the fifth day, it is an epoch of a hundred-year-old anabiosis and power of the first beast.

All right-hand represents the kingdom of lie. Here, it is possible to see some elements of the matrix of New World Order. We spoke a lot about it before. Some centuries ago, the freemasons infiltratedthe Church and substituted the basic notions of theology.

It's as if the diskoperating system, which serves as a basis for the operating system of civilization, was rewritten. The codes of piracy of traditional order are published in the book «Alice in Wonderland». Then, was created an «anti Christian operating system» based on the cult ofmoney.

The basics of this system are explained in the book of Karl Marx «The Capital». And after the First World War, all humanity had been installed, like a computer program, in a new system of civilization. And everybody began living according to the rules conceived by geniusof satanicwisdom.

So, the right-hand side of centrefold is a procession of Woland, it's all these demons that mock the humanitythroughout last century. Here is represented the life of the great prostitute, it is what constitutes the sense of the thousand millions people’s life.

The main thing here is the artificial world and the thirst for material wealth. It’s all this impious world order that is called the «image of the beast» in Apocalypse.

The clowns, on right-hand side,play the roles of the 13th chapter of Revelation. They performa scene of the first beast coming out from the sea. Bill Gates is granted by following speech here: «and it mouthed its blasphemies against God, against his name, his heavenly Tent and all those who are sheltered there» (Apocalypse of Saint John 13:6).

That is why he is dressed in purple, color of the ecclesiastical habits, and is looking at the sky and muttering something with his crooked mouth...

In general, the right-hand of composition is dedicated to the triumph of the reign of beast, to this victory won by Babylon over the Saints in twentieth century: «It was allowed to make war against the saints and conquer them, and given power over every race, people, language and nation» (Apocalypse of Saint John 13:7).

That is why the conquistador — conqueror, representing victory over Creation, is on right-hand side of the pagoda.

If the right-hand side is entirely dedicated to the images of lie, the left-hand side — to the image of truth. Here, the structure of Creation is represented in its real state. Everything is honest here, just as it is. Even if the truth is bitter and pricks eyes, it’s the very creation, the very being created by God.

It is impossible to change it, since we are inside this system. As it’s not possible to take away the sun from the firmament. However, it is possible to hide itfrom the eyes ofhumanity. It’s what was donein the twentiethcentury...

In the language of biblical symbolism, the traditional life order is called Israel. In fact, Merkel plays the role of the daughter of Zionhere. It is the «bride of Christ» who must marry God and accept the «Christ-sun» into herself. However, the face of Merkel is in black and white.

Merkel is in color outside and in black and white inside. The system of separation in colored, black and white and mixed characters, serves to show the different states of being. The honest state is in color, the artificial, virtual world — in white and black, it is all kind of modern life systems.

The mixed characters show, respectively, the mixed states of being. It can be said that they «run with the hare and hunt with the hounds».

The domains in black and white, on right-hand side of composition, represent, in a way, the areas infectedby maliciousviruses. They are the parasites who penetrated into the Kingdom of saints and who were devouring the being from inside. They are stealing the human souls to God.

As we can see, the internal content of the daughter of Zion is in black and white. It means that she betrayed traditional way of life. It also means that the Church is infiltrated by strangers who are devouring its being from inside.

According to God’s plans, all humanity must form a universal immaculate Church. However, the freemasons realized, in twentieth century, the plan of the«runaway bride» and the humanity, in the person of Merkel, sinned with Babylon. Clinton, known by his profligacy, plays the role of the «antigroom», the role of a seducer, the universal Church laid down under him.

So, the cover is entirely dedicated to the Orthodox Church. The composition is designed here according to the same principle of separation on form and content. The external characters, arranged inform of a pyramid, form the structure ofCreation, its form.

They are, literally, like the edges of the universal cauldron where cook all intrinsic contents of the Church. Such «soup» is composed of various characters playing the roles of events which take place inside the Church.

The external form, as well as its internal content, are subdivided, once again, into form and content. Such is the generalstructureof composition.

 

 

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# 03. The Economist «The world in 2016». Israel and BabylonAntonietta 2018-09-04 09:27
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